by W.S. McCallum
(TEAL ashtray, circa 1960)
TEAL is the
abbreviation for Tasman Empire Airways Limited, which was the original name of
the company when it was founded in 1940 through to it being changed to Air New
Zealand in 1965. TEAL was an airline that developed initially in the 1940s as a
carrier to the Pacific Isles and, as such, it was only natural that Pacific iconography
should be integrated into its company image.
TEAL was
very much a pioneer in the field of commercial aviation in the South Pacific.
For example, it holds the distinction of being the first airline (years before
any US or French carrier) to provide a regular passenger service to Tahiti.
At the 2015
Te Papa exhibition in Wellington celebrating Air New Zealand’s 50th
anniversary, they showed what it was like to fly on the Coral Route which, in
its day, was the only regular passenger air service to Tahiti, and was operated
in its original form by TEAL from 1951 to 1960. As, in those days, Papeete did
not have an airstrip, TEAL flew Short Solent flying boats and landed in the
harbour there. On one wall at the exhibition, there was a projection with an
old film from the 1950s showing film footage of the various stops along the
Coral Route, which went from Auckland to Papeete via Laucala Bay at Suva, Fiji,
Satapuala at Apia, Western Samoa, and Akaiamai at Aitutaki in the Cook Islands.
Near the
projection screen, there was a recreation of a Short Solent passenger cabin
which you could walk into and sit in:
It was a
revelation to discover how spacious the seats were in those days, and there was
leg room to spare. None of the cramped “cattle class” conditions you experience
these days. There was also an on-board chef who cooked all the meals for the
passengers, using fresh fruit, vegetables, meat and fish picked up at the
various landing points along the Coral Route. A far cry from the processed pre-packaged
food that is the norm on all commercial flights these days.
The cabin
recreation was very realistic: you could even watch the propeller spin outside
the cabin window and hear the engine noise:
It was only
natural, given that TEAL flew to various Pacific Island destinations, that it
would incorporate Pacific imagery into its marketing campaigns. The following
is a selection of posters from the 1950s:
More
posters from the Air New Zealand exhibition:
TEAL’s
travel posters also included tikis, and it holds the distinction of being the
first airline anywhere in the world to integrate tikis into its advertising.
Here is a classic TEAL poster from my collection:
TEAL
posters featuring tikis tended to be humorous and light-hearted in their
approach, involving clever “cut-ups” designed to surprise and amuse:
Fly-fishing
tiki detail:
Possibly
the only time you will ever see a depiction of a tiki wearing a fly fisherman’s
hat...
This use of
tikis occurred well before they were adopted by American airlines. For example,
United Airlines did not start including tikis in its advertising for flights to
Hawaii until the late 1960s. Tikis featured prominently as part of TEAL's
corporate image from the 1940s onwards, and later were also a major feature in
Air New Zealand's identity too.
Envelope used from the 1940s to
1965.
Ticket (circa 1964).
Coaster (early 1960s).
Souvenir toothpick (1960), souvenir
swizzle sticks (1965 and 1960).
TEAL carved cigarette box (circa
1960).
Air New Zealand tiki swizzle sticks
(1970s).
Air New Zealand tiki mugs by Crown
Lynn (circa 1970).
This
inclusion of tikis in the airline’s corporate image went well beyond the use of
tikis in posters and on items provided in-flight, as the following item at the
Te Papa Air New Zealand exhibition shows:
Use of such
iconography was, however, not without its critics. From the 1960s onwards,
various Maori people pointed out that, in traditional Maori culture, the tiki
was a sacred symbol, and that the use of tiki faces on mugs, cups, plates and
ashtrays in particular was inappropriate, as the head is tapu. English people
may have no problems eating food off a Queen Elizabeth commemorative plate or
stubbing out their ciggies in a Queen Elizabeth ashtray, but traditionally it
was a sign of great disrespect and insensitivity to do such things to a tiki,
which was usually the depiction of the head of an ancestor or a god. The
pejorative expression "plastic tiki syndrome", coined during the 1970s,
was used by these Maori to indicate their discontent over what was viewed as a
cheapening and denigration of their culture. It was an expression that
specifically targetted Air NZ’s free plastic tiki that it gave away to all
passengers on its flights:
(The Air NZ plastic tiki,
distributed free to passengers from the 1960s to the mid-80s)
Finding
itself accused by Maori of denigrating Maori culture, in the 1980s, Air New
Zealand backed away from using the tiki. Consequently, Air New Zealand stopped
providing them to passengers in 1985, and in subsequent decades, has preferred
to associate itself with more culturally neutral themes such as rugby and Peter
Jackson's Lord of the Rings and Hobbit films.
As a result
of this sea change, Air New Zealand now steers clear of any imagery involving
tikis. Generally speaking, apart from its hallmark koru emblem, which it has
retained, since the 1980s, the airline has also tended to steer clear of things
Maori. The reproach offered back in the day was that these tikis were
“inauthentic” because they were made from plastic but, under the circumstances,
it is difficult to see how Air New Zealand could have provided hand-carved
greenstone tikis. It could be argued that this small token, however “inauthentic”,
was better than nothing at all. The outcome of this retreat is a present-day
situation that is antithetical to the promotion of Maori culture: the plastic Hobbit
cups Air New Zealand gives out to its passengers as freebies in the early 21st
century fail to reflect either Maori or New Zealand culture and are little more
than an exercise in Hollywood branding and promotion. This is a cultural loss:
from the 1960s to the 1980s, via its plastic tiki, Air New Zealand gave huge
numbers of both New Zealanders and foreigners their first contact with NZ tiki
culture.
© W.S. McCallum 4 November 2017
Web site © Wayne Stuart McCallum 2003-2017